Gargoyles, Buttresses and the Art of Building Heavenward
COMMENTARY: Notre Dame’s gargoyles, flying buttresses and open spire reveal how the great cathedrals united engineering, artistry and theology into a single vision reaching toward heaven.
COMMENTARY: Notre Dame’s gargoyles, flying buttresses and open spire reveal how the great cathedrals united engineering, artistry and theology into a single vision reaching toward heaven.
Critics say the emphasis on diversity and emotional expression risks translating a central mystery of the Church into the visual language of the present moment, weakening the symbolic coherence of a Gothic cathedral built around light, hierarchy and transcendence.
COMMENTARY: Having faced death, the rebuilt cathedral strikes a divine chord in the human heart.
While the event demonstrated that Christian symbols continue to inspire hope, President Emmanuel Macron’s grandstanding highlighted the ascendancy of secularism in France.
One of the bishops in attendance was the archbishop of New York, Cardinal Timothy Dolan, who was also present at the Dec. 7 opening ceremony.
This medieval Gothic jewel — which, until its closure, was France’s most visited site, with some 13 million visitors a year, far ahead of the Eiffel Tower — is inextricably linked to the grand and epic history of France and to the soul of its people.
The reopening service, presided by Archbishop Laurent Ulrich, will be attended by Macron, other officials, donors and Parisian clergy.
In a social media post, the United States Catholic Conference of Bishops wrote that as the cathedral reopens its doors, “local churches in the U.S. are invited to peal their bells in a gesture of unity.”
Major religious and artistic treasures of the cathedral were removed as the fire began, including a relic of Christ’s crown of thorns.
People around the world contributed to the restoration of the sacred structure.
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