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The Russians Are Here
St. Michael’s Russian Catholic Chapel Preserves Ancient Traditions
BY Angelo Stagnaro
September 27-October 3, 2009 Issue |
Posted 9/18/09 at 7:01 AM
At the
junctures of Manhattan’s Little Italy, Chinatown and Soho is a tiny jewel box
of a chapel that many people would mistake for an Orthodox church.
In actuality, St. Michael’s Russian
Catholic Chapel is a community very much in union with Rome.
Named for one of the three
archangels whose feast is celebrated Sept. 29 in the Western Church, St.
Michael’s is located in the heart of old New York. The tiny, peaceful church
epitomizes the meaning of the word “serene.”
The chapel is the home of the
Byzantine-rite Community of the Holy Archangel Michael Russian Catholic Church.
The Catholic Church has 21 rites
besides the Latin, representing an entire planet’s worth of cultural and
liturgical uniqueness. The Byzantine is one of the larger rites in the Church
and is practiced by millions of Eastern Catholics.
Historically, the parish has served
the Russian community liturgically, but has opened its doors pastorally to all
in need. The chapel is immediately outside Old St. Patrick’s Cathedral’s
historic wall. The brick wall saved the lives of many Catholics during
Nativist/Know Nothing Riots against poor Irish immigrants and Catholics in
general. The Church had always been on the forefront, sometimes
single-handedly, fighting for human rights, but nowhere more clearly and
poignantly than on Mulberry Street. The street where the chapel is located saw
some of the bloodiest riots in American history, which were made famous in
Martin Scorsese’s The Gangs of New York.
Sense of Home
With many Russians fleeing their
homeland in the wake of the Bolshevik Revolution, Father Andrew Rogosh arrived in New York on Christmas Day 1935 in order to
serve the needs of Russian Catholic immigrants on the Lower East Side. Russians
had emigrated following the Bolshevik Revolution.
Almost
immediately, Father Rogosh started raising funds for a chapel dedicated to
Russian Catholics. It was built and dedicated the following year.
World
War II brought a new wave of Russians to New York City. Father Rogosh sought
out the new immigrants, converting many to Catholicism. The Russian Catholic
rite, which was reminiscent of the Orthodox Divine Liturgy, gave immigrants a
sense of home and of their own ancient tradition.
New
waves of immigration hit New York in 1974 and 1989, at the end of the Cold War.
St.
Michael’s has been visited by several prominent Catholics over the years,
including Dorothy Day, the founder of the Catholic Worker movement, Catherine
de Hueck Dougherty, founder of Madonna House, and Thomas Merton, author of The Seven Storey Mountain. Jesuit Father Walter Ciszek, the Polish-American
who clandestinely ministered in the Soviet Union, was one of many Byzantine
Jesuits who served at St. Michael’s from their base at Fordham University’s
John XXIII Center during the 1970s. In fact, Father Ciszek’s first visit to St.
Michael’s was on the first day he returned to New York after his release from a
Soviet gulag in 1963. He recounted his experiences in With God in Russia and He Leadeth
Me.
Windows Into Heaven
There
are no pews at St. Michael’s: There’s no need for them, as standing is the norm
throughout the Divine Liturgy. St. Michael’s is built on a square basilica
plan, albeit on a tinier scale.
As
soon as one walks in, one is struck by the beauty of the iconostasis, or icon
screen, which separates the church’s nave from the sanctuary in Eastern
churches. The screen is covered with icons of Christ and his Mother and various
saints, including St. John the Baptist and the patron saint of the church, in
this case, St. Michael. In the East, icons are seen as windows into heaven.
Contrary
to popular belief, the iconostasis does not separate the nave from the sanctuary.
Instead, it unites the two, just as it unites this world and heaven, thus
making it a symbol for Christ himself. He is the connection and unifying force
between the two worlds (Luke 11:9-10, Revelations 3:20). By his death, by
giving up his own body, we are given access to him (Hebrews 10:19-20).
The
iconostasis has three sets of doors: the Beautiful Gates, also known as the
Royal or Holy Doors in the center, and the Deacons’ Doors to either side. The
doors are opened only when Divine Liturgy or vespers is being celebrated, and
the priest, deacon and acolytes process through them several times.
Divine
Liturgy is celebrated with great, billowing waves of incense. One feels
transported to a different place and time. The Eucharist is distributed, body
and blood together, on a small golden spoon. One feels as if one is truly being
fed by the Church.
Bridging the Gap
St.
Michael’s reaches out to immigrants and the great unchurched masses just as it
has over the past 70 or so years. In addition to reaching out to immigrants,
the poor and the marginalized, an important part of its ministry is bridging
the gap between the Latin Catholic Church and the Orthodox Churches. As both
Pope John Paul II and Pope Benedict XVI have often said, “The Church breathes
with two lungs” (East and West). St. Michael’s works on a grassroots level
toward Christian unity and the full communion of the Orthodox and Catholic
Churches.
St.
Michael’s Chapel is in the midst of plans to accommodate its growing community.
Not everyone who worships at St. Michael’s is Russian. Worshippers may come for
the uniqueness of the liturgy, but they stay for the profundity of the
spiritual experience and the warmth of the parishioners.
Angelo Stagnaro writes
from New York.
St. Michael’s Russian Catholic Chapel
266 Mulberry
St.
New
York, NY 10012
(212)
226-2644
StMichaelRusCath.org
Planning Your Visit
Vespers
is sung on Saturday at 6 p.m., preceded by confession. Divine Liturgy is on
Sundays at 11 a.m. During Lent, the Liturgy of the Presanctified Gifts, a
vespers-like service with Communion, is offered on Wednesdays at 6 p.m.
While at
St. Michael’s, stop in at St. Patrick’s Old Cathedral next door and nearby San
Gennaro’s Chapel at Most Precious Blood Church.
Getting There
St. Michael Chapel is located at 266
Mulberry St. between Prince and Houston Streets in Manhattan. By subway, take
the S and F train to the Broadway/Lafayette St. Station, N and R trains to the
Prince St. Station, or the 6 train to the Spring St. Station. Walk east from
any of those stations to Mulberry Street.
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