Recently I experienced Roberto Rossellini’s Rome, Open City for the first time, again.
A Vatican list film, Rossellini’s celebrated 1945 landmark of Italian neorealism is a must-see film for film lovers—and of course I saw it, and reviewed it, years ago. Even at the time, though, I knew I wasn’t really experiencing the film Rossellini made.
Partly this is because previous DVD and VHS versions of Open City were based on a print of the film with such spotty subtitles that they played as if the subtitler often got so absorbed in the story that he simply forgot for minutes at a time to keep up with the dialogue.
As a result, if you didn’t speak Italian, you missed over half of what was...READ MORE